Encores for Trumpet and Organ

Hans Uwe Hielscher (*1945)
Fantasia Gregoriana op. 45 (First recording)
1 Praeludium 2:40 – 2 Cantilena 3:32 – 3 Finale 2:52

Enrico Pasini (*1937)
4 Cantabile „For You“ (First recording) 3:37

Hans Peter Graf (*1954)
Suite op. 102 (First recording)
5 Entrée 0:43 – 6 Allegro 0:27 – 7 Valse 1:04 – 8 Dance I 0:48 – 9 Cantabile 1:06 – 10 Dance II 0:58 – 11 Romance 1:30 – 12 Allegro 1:58

Remo Giazotto (1910-1998)
13 Adagio in Sol minore (First recording) 7:33
Su due spunti e un basso numerato di Tomaso Albinoni

Gaetano Donizetti (1797-1848)
Sonate F-Dur (Bearbeitung K.-H. Halder) (First recording)
14 Andante – Vivace 7:33

Johann Sebastian Bach (1685-1750)
15 „Jesus bleibet meine Freude“ aus der Kantate „Herz und Mund und Tat und Leben“ 2:50

Johann Sebastian Bach
16 „Zion hört die Wächter singen“ ( Bearbeitung K.-H. Halder) 4:40 aus der Kantate „Wachet auf, ruft uns die Stimme“

Antonio Vivaldi (1678-1741)
17 „Domine Deus“ aus dem „Gloria“ (Bearbeitung K.-H. Halder) (First recording) 3:23

Hans Uwe Hielscher
„Amazing Grace“ (First recording)
18 Vorspiel 0:58 – 19 Thema 0:40 – 20 Vivace 0:30 – 21 Lent 1:30 – 22 Allegro 0:45 – 23 Largo 1:57 – 24 Quasi recitativo 0:57 – 25 Vivace 1:06

Gesamtdauer · Total time: 55:48

KARL-HEINZ HALDER TROMPETE · TRUMPET
JÖRG-HANNES HAHN ORGEL · ORGAN

Karl-Heinz Halder, born in Leutershausen, Baden, studied trumpet at the Berlin College of Music with Prof. Fritz Wesenigk, the former solo trumpet of the Berlin Philharmonic Orchestra, and subsequently continued his studies with Prof. Pierre Thibaud in Paris. His first engagement was with the Radio-Sinfonieorchester Berlin (today: Deutsches Sinfonieorchester Berlin). He then went as solo trumpet to the orchestra of the Mannheim National Theater. In 1976 Karl-Heinz Halder was appointed solo trumpet of the Radio-Sinfonieorchester Stuttgart, under Sergiu Celibidache, a position he held until 2001. Halder occupied himself with historical performance practice already during his studies, and from 1985 was active as first trumpet of the renowned Cappella Coloniensis, where he collaborated with specialists for Baroque music such as Joshua Rifkin, Reinhard Goebel, and Sigiswald Kuijken. Moreover, he founded various ensembles with the goal of bringing to life again the very diverse and sometimes also unusually orchestrated chamber and ensemble music of the seventeenth and eighteenth centuries. A further field of interest has always been wind-playing techniques and wind methodology, whereby the encounter with Prof. Malte Burba provided decisive impulses. Halder himself has become a sought-after guest professor, including at the Toho Music School in Tokyo. He gives courses on a regular basis for up-and-coming musicians, for example at the State Academy in Ochsenhausen and in Weikersheim. Karl-Heinz Halder maintains a busy concert schedule at home and abroad. Concert tours have led him throughout Europe, the USA, Japan, Australia, South Africa, and to Hong Kong.